Sunday, March 29, 2009

Everyone's a Critic



Wow on effort! Just thinking about how long that must have taken is amazing. I really enjoy the little "meanwhile" scenes. And the fight scenes are also quite cute. I like how he had a small introduction, telling us which stick figure represented which character in the story. It doesn't seem like much but without it I would have been completely lost.
I feel they could have improved by simply taking the sound of so we don't have to here a click from the flip book and just hear the music instead of both overlapping each other. I also think it was very vague. Someone that hasn't read the story, or at least known what it was about, wouldn't understand it. For example, it doesn't explain that Juliet when to the apothecary to get a potion that will make it seem like she is dead. It only shows her going in and then drinking it. What he could have done is had the apothecary explain it in a few words.



54 seconds of my life...gone. The only thing I found even remotely entertaining were the drawings, but why have a hippo as Juliet and an "Indian" as Romeo? I felt like I was watching a really old, and horrible, Disney clip. Were they trying to say something by using those particular characters? Or were they simply trying to make it seem funny? Which brings me to my next point; I didn't find it funny...at all. Juliet falling off the balcony? Where was that in the story? And why was that meant to be funny? Apart from the names it bares no resemblance to the original story of Romeo and Juliet.
That little bin on your computer? Yea, toss it in there.



I also appreciate the effort on this video, but boy was I lost. I feel the creators of this Lego stop motion should have included the very beginning of the act. At least then it would be easier to understand why all the little Lego men were running around and getting beaten on top of the head. What about the little scene that kept repeating in the beginning? That kind of went on for a while. I suggest they cut that short a little bit. The original dialogue is used which I actually liked about the clip. What I found strange was the unnecessary explosion. That wasn't in the story and I don't think it was necessary at all. I wouldn't say it was horrible, but it could use improvement.



I enjoyed this a lot. I really like the animation and the voice over is excellent; the people don't stumble and you can clearly hear what they are saying. It wasn't hard to understand what was going on even though it was really simple. Mercutio dies and Romeo goes off to fight Tybalt. In a sword fight, Romeo manages to kill Tybalt. It's easy to understand and there isn't too much going on at once. The original dialogue is used. I think the way they presented it is great and nothing needs to be added.



The little 20th Century Lego's made me giggle, very creative. Maybe it's just me being picky but they could have actually done the Star Wars credit type thing where everything is moving far away instead of just upwards. I enjoyed the brief introduction to the scene, helped me understand what they were trying to show. I really liked their creativity and humor: "...on the planet of Tatoonie, uh, I mean Verona." "Little do they know that fate shall shape events in such a way that the feudal families shall be brought together, but at a terrible price..." Notice something? FORESHADOWING! I was entertained by the sound effects. "WOO WOO WOO" "Oh no, it's the cops, let's get out of here guys!" I really liked the Rosaline - Princess Leia reference, then the "single 14 year old chick" - Juliet. "This speach is over rated, let's just get married." Everything is easy to understand. It's obviously not in the original dialogue but the humor makes up for it.
It was a really entertaining clip; funny, creative and had cute little references to the original story of Romeo and Juliet.

~54

Wednesday, March 11, 2009

Jenny Walters



(Click Here to see image above clearly)


Jenny Walters, born on March 15, 1982 in Virginia, is best known for C.H.A.K.R.A.M., the organization that corrects mythology. Following her studies in archeology at the University of New Zealand, in 2005, she was admitted to the team of renowned archeologist-writer professor Alekos Katsikonouris to work on a research project concerning Greco-Roman Mythology. During her time on professor Katsikonouris’ team (2005-2007) she made a significant contribution in the compilation of the first complete mythological anthology of Greece and Italy.
Jenny went on to produce numerous publications on the subject of Mythology that have earned her world wide acclaim. Jenny is most famous for her book, “Beware Greeks Bearing Gifts” which topped the New York Times best seller list in 2007 and earned her the American Literary Society’s: Best New Young Author Award 2007.

Contents
1. Family/Early life
2. C.H.A.K.R.A.M. (Center for Historical Accuracy of Key Research in Ancient Mythology
3. C.H.A.K.R.A.M. International
4. “A Search for Xena”
5. Publications

Family/Early life
At age 8 she moved to New Zealand with her father, Richard Walters, and her mother, Mavis Clark. Richard Walters is a professor in Willabong University of New Zealand (or WUNZ). He specializes in the field of the Greco-Roman Classical Period. Mavis Clark, who kept her maiden name, is a published fiction writer. She has written such books as, “The Cloverfield”.
Currently only 26, Jenny heads the organization C.H.A.K.R.A.M. which she quickly established as the leading authority in mythology studies across the world.
Her older sister, Nikki, comments,
“We’re all very proud of her. It seems only just yesterday that she was playing with her toy chakram and watching Xena. I still remember how she would run around doing Xena’s battle cry. (Laughs) She wanted us to call her Ephiny because it was her favorite Amazon. Xena had a great impact on her life.”

C.H.A.K.R.A.M. (Center for Historical Accuracy of Key Research in Ancient Mythology)
At age 23, just after completing her study of archeology and whilst working with professor Katsikonouris on researching Greco-Roman Mythology, Jenny went on to create the organization, C.H.A.K.R.A.M.
“We here at C.H.A.K.R.A.M. strive to verify to what extent mythology is based and derived from true events in history. Furthermore, we aim to salvage and record the unwritten mythological record from across the world for posterity.” – Jenny Walters

C.H.A.K.R.A.M. International
Over the years C.H.A.K.R.A.M.’s research and verification work has spread around the world from New Zealand to Italy, Greece, countries in South America, mainly Colombia and Mexico, and the Southeastern Asian area where ground breaking work has been accomplished in collecting and recording on paper for the first time the spoken mythological record of Indonesia. Jenny has gone to thousands of conventions to spread C.H.A.K.R.A.M.’s message and promote its work.

“A Search for Xena”
Soon after her success with C.H.A.K.R.A.M., Jenny created a TV Show out to search for known Xena sites around New Zealand. So far only 4 episodes have been produced. Several planned future episodes are said to feature Lucy Lawless, Renee O’ Connor and Ted Raimi in person. In the second episode, Jenny visited the grave of Kevin Smith, who portrayed the character Ares, God of War, in the TV production of Xena: Warrior Princess.

Publications:



Click here to see bigger version.

In addition to the above publications, Jenny has written many articles for news papers around the world including the Washington Post, the Kamal Dank of Jakarta, Sumitori of Finland and The Guardian.



References:
www.willabonguni.com.edu
www.cloverfield.com/MavisC
www.CHAKRAM.org
www.Hellenic.gov/moe
www.PromethusPublications.com.gr
www.RCHC.uk.com
www.UOAthens.com.gr/Katsikonouris

External Links:
www.CHAKRAM.org
www.NYTimes.com

See also:
Xena: Warrior Princess, University of New Zealand, Royal Society of Human Cultures, American Literary Society, Mavis Clark, New Scientist.